New Appalachia is one of the those business ideas that people muse about but cannot always see through to success. It is an idea, however whose time has come and its Owner/CEO and visionary Caleb Crowell knew that implicitly. We’re in an American cultural chapter when people are giving more thought to what their families eat, where our food comes from, how to be healthier and save money, which produce is genetically modified and so on. We’re also nostalgic for those recipes that were shared by family or in church cookbooks, community circles and at neighborhood gatherings. Crowell understands this and built a business around it – focusing first of the farms and farmers themselves. Being a part of helping New Appalachia create a brand and the visuals, tone, typography and all the other graphic design elements that make a brand work was wonderful. We love the people, the cause, the strategy and what it represents as we are both lovers of farm food and the power of community in North Carolina and especially the Southern Appalachian region.
Creating a brand for this business was especially fun, because Caleb knew where his inspirations were born. He loved the old seed catalogs of the late 19th century and how they conveyed, in a few pictures and words, the care of the land and the artistry that went into being a grower. We spent time with these images, had many conversations about the vision for New Appalachia, shared our own memories and worked to personalize the business in such a way that everyone who came into contact with New Appalachia as a brand would feel that same sense of nostalgia and renewal.
We were also inspired by the recent trend found in boutique and micro breweries of presenting themselves in more retro iconography and when Caleb mentioned his love of the old Blue Ridge Parkway promotional posters (just above), the New Appalachia’s look was born.
New Appalachia’s website states simply:
“The food system we envision has a face and story and a connection to our region. It is fueled by the values for our land, our people and our economy. We are motivated by the economic opportunities created for the family-operated farms of Southern Appalachia that we get to work with, and by the stories we share along the way. We assist our farmers in crafting their harvest with our production planning phase over the winter. The diversity of our markets range from specialty niche greens for fine restaurants to volume potatoes for institutional buyers. We also love working with chefs to help them maximize their local food use or assist in their farm-to-table events.”
The largest portion of the New Appalachia mission is based on creating a “region-wide food” network, so that farmers can maintain sustainable businesses by providing food that the market is craving. It’s symbiotic, because the process is a collaboration between New Appalachia and each farm using a planning process that promotes “crafting the harvest.” So whether it’s organic greens or rabbits or root veggies, each farm designs their planting for the community and region. While that is the more practical side, so much heart and listening and personal investment is involved. Speaking of heart, an important additional component is uncovering and sharing stories and truly reviving the community table. This is where the Sunday Supper Series comes in and where we were able to synthesize Caleb’s inspirations with our own.
This series is indeed a revival of community gatherings and is open to the public, family-friendly and includes dishes created by local chefs made from the farm fresh and seasonal ingredients from local growers and farms. The series kicks off July 12 with many to follow, so look for one in your area if you live in Western North Carolina or parts of the Southern Appalachia. As fans of this business, their style and idiom, we invite you to learn more about New Appalachia and come to a Sunday Supper. It is summer after all, the crops are coming in and the food and company is fine!
Pixels on Paper loves graphic design work, especially when it strikes a chord with us, but we end up loving every single client we’ve worked with. Learn more about our graphic design work and be in touch with if you have a specific project or want us to noodle with you.
Sorry. We meant WHOA.
ALL CAPS WHOA.
As in HOLY CRAP…. A DREAM COME TRUE AND WE LOVED IT.
We were chosen to be official photographers for Merlefest 2015 and it held so much more than we anticipated. We’d been to Merlefest before as music lovers and working with vendors, but this was amazing. Amazing personally and certainly professionally.
If you love The Avett Brothers as much as we do, then you’ll know why it was a blast to be taking photos on stage with them and a thrill when one of our shots made the front page.
You know how your senses can go into overload? That’s how we felt. So much to see …. so much new, established and beloved music to tune into plus we were working. So we were doing recon, figuring out the logistics of stages and the schedule, where to upload our shots, and visualizing photos to capture in short windows of time.
One of the first surreal moments happened on Thursday morning (Day 1) when we realized that we had full backstage access. While standing on the main stage behind performers warming up before the gates were opened to the public, we were further bedecked in extra badges, wrist-bands and more credentialling bling (credential-ling? … maybe not a word, but we’re going with it).
Between the two of us, we photographed 26 bands/musicians, plus took shots of the fans, the dancing masses, craftsmen and general atmosphere. And we worked 53 hours over the course of four days. On Saturday, we arrived there at 7am and didn’t see each other until after 7pm.
The turnaround time was such that our images had to be taken correctly and perfect in camera while we photographed them. There was no time for Photoshop work. 5-10 shots after each concert/band and keep moving. The pace was hectic and exhilarating.
When we weren’t uploading photos to share with the world – ours went mostly to our Instagram page with a special hashtag #pixelsonpapermerlefest – we were shooting everything else.
Check out the Honey Dewdrops and the Jason Lee McKinney Band. Both have decided to use our photos for their social media work …. yeah, yeah, yeah!
Chatham County Line shared Pixels’ images on their Instagram and Twitter pages and Front Country has been using our images on Instagram and Facebook. We are gratified and couldn’t be more proud.
Finally, our crowd shot was used by many in the Twitter, Instagram and Facebook worlds, including Merlefest’s Facebook and flickr site and on HCPress.com.
Any downtime we had was with Ryan’s brother Todd in the wee hours of the morning when we could actually do a post-mortem and share photos from the day and say, “Oh, that shot!!! I wondered if I had it or not;” and “that turned out better than I thought – check it out!” We would talk and crack up. There was something about that time that was particularly important because while we were tired, we were this little tribe of 3, telling stories and trying to marshall our energy for the next day.
Don’t get us wrong, there were challenges, but there were also revelations about ourselves, our skills and our business. Challenges included the always-changing light (dark, direct-sun, shadows, spot lights), weather (rain & cold), fast action (drums, fiddle), indoor and outdoor contrasts, stage equipment (microphones, monitors, speakers are always in the way). We are agile and completely willing, but there were jumps from venue to venue, stage to stage.
Triumphs, however were equally deep.
For Ryan it was realizing that we had the right amount of everything and the right equipment to get results. We tend to be of the mind-set, if we don’t need a particular lens or piece of equipment, we don’t buy it. While many of our peers there had some very expensive equipment and more of it, we realized VERY QUICKLY that we had the goods. Literally and figuratively.
For me, it meant finding myself as 1 of 4 women in a field of 28 photographers. Unlike portrait photography, which is dominated by women, event photography is a man’s world. Yet there I was, shoulder to shoulder with the boys grabbing the shots that would be sought out by other media outlets and bands themselves. It was weird and cool and now there is no putting the genie back in the bottle for us.
We cannot wait for Merlefest 2016! C’mon y’all and join us.